Predstavitev novomedijskega projekta v dveh delih avtorjev Ane Pepelnik, Line Rica, Miha Šajine – Shekuze, Blaža Božiča, Liare T’soni in Aleša Hienga – Zergona.
Dogodek se bo odvil v Layerjevi hiši v Kranju.
Vstop prost.
Skozi dve konceptualno dopolnjujoči se deli Odkruški vedute pripovedujejo in raziskujejo intimne in kolektivne zgodbe posameznikov, ki se soočajo s pojavi staranja, izginjanjem javnih prostorov, fragmentacijo spomina, izgubo pomenljivih, simboličnih in družbenih krajev vrednot, svobodo in željo po vključevanju v družbene strukture. Obe deli temeljita na poeziji: prva na pesmi V drevo nagrajene pesnice Ane Pepelnik, druga pa na nagrajeni pesniški zbirki Blaža Božiča Mleček, žbunje: grobovi v njem.
Odkruški vedute I & II sta dva novomedijski prepleta 2×3 sodobnih umetnic_kov: Ana Pepelnik (glas), Miha Šajina – Shekuza (zvok), Lina Rica (vizualije/video) in Blaž Božič (glas), Aleš Hieng – Zergon (zvok) in Farah Sara Kurnik – Liara T’Soni (vizualije/video).
Ana Pepelnik (1979) je pesnica in prevajalka. Zbirke: Ena od varijant kako ravnati s skrivnostjo (2007), Utrip oranžnih luči na semaforjih (2009), Cela večnost (2013), Pod vtisom (2015), Tehno (2017), Treš (2019), To se ne pove (2023). Prevaja ameriško poezijo. Glas daje v številne besedno/zvočno/tišinsko/škripno/šumske dogodke, recimo v CPG Impro navezi.
Blaž Božič (1991) je pesnik, glasbenik, klasični filolog in prevajalec. Izdal je pesniške zbirke Grč (KUD Kentaver, 2011), Potem smo si vranice odprli na nežno valujoči livadi (KUD France Prešeren, 2013), K območnim poročilom (Center za slovensko književnost, 2016) in Mleček, žbunje: grobovi v njem (Center za slovensko književnost, 2022, Jenkova nagrada 2023), dejaven pa je tudi kot kitarist zasedbe nevemnevem in človek za eksperimentalnim breakcore-glitchcore projektom SsmKOSK.
Lina Rica (1980) je nagrajena intermedijska umetnica, ki deluje na področju konceptualne, eksperimentalne in novomedijske umetnosti. Njena dela so del zbirk MGLC, Oficina Arara, Likovna zbirka Riko, Longest Night in Critical Mass Portfolio. Od leta 2019 je del A/V zasedbe Marta Fakuch, od leta 2020 pa del A/V tria Etceteral.
Liara T’soni (Farah Sara Kurnik, 2000) je vizualna umetnica, ki ustvarja na področju grafičnega oblikovanja in videa. Eksperimentira z medijem digitalnega kolaža in v njem gradi artefakte spekulativne realnosti, aktivna pa je tudi na področjih industrijskega oblikovanja in novih tehnologij.
Miha Šajina (1979) je producent, DJ, klaviaturist, skladatelj in navdušen zbiralec modulov. Igra(l je) v Intimn Frizurn, Moveknowledgement, Warhorse in Ewok. Od 2002 deluje v kolektivu Zvviks, kjer ustvarja glasbo za animirane filme Koyaa. Intenzivno raziskuje modularno sintezo. Več A/V del, pri katerih je soavtor, je nagrajenih.
Aleš Hieng – Zergon (1984) je DJ, producent elektronske glasbe ter zvočni umetnik, ki deluje tudi v polju AV performansov in na širokem področju DIY elektronike. Zanimata ga tako klubska glasba, kot sonični in AV eksperimenti. Je tudi član modularnosintetističnega kolektiva Clockwork Voltage.
Projekt Odkruški vedute je koprodukcija KUD Channel Zero in Zavoda Carnica.
Projekt podpirata Ministrstvo za kulturo RS in MOL – Oddelek za kulturo.
Partner projekta je podjetje SilentDiscoSlovenija.
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Through two conceptually complementary new media artworks, Veduta Crumbles narrate and explore intimate and collective stories of individuals facing the phenomena of ageing, the disappearances of public spaces, the fragmentation of memory, the loss of meaningful, symbolic and social sites of value, freedom and the desire to integrate into social structures. Both works are based on poetry: the first on the poem V drevo by the award-winning poet Ana Pepelnik, and the second on the award-winning poetry collection by Blaž Božič, Mleček, žbunje: grobovi v njem.
The Veduta Crumbles I & II are two new media interweavings of twice x three contemporary artists: Ana Pepelnik (voice), Miha Šajina – Shekuza (sound), Lina Rica (visualisations/video) & Blaž Božič (voice), Aleš Hieng – Zergon (sound), Farah Sara Kurnik – Liara T’Soni (visualisations/video).
Ana Pepelnik (1979) is a poet and translator. Her published poetry collections are: Ena od varijant kako ravnati s skrivnostjo (2007), Utrip oranžnih luči na semaforjih (2009), Cela večnost (2013), Pod vtisom (2015), Tehno (2017), Treš (2019), To se ne pove (2023). She translates American poetry. She lends her voice for a number of verbal/sound/silence/sound/noise events, one example being the CPG Impro.
Blaž Božič (1991) is a poet, musician, classical philologist and translator. He has published poetry collections Grč (KUD Kentaver, 2011), Potem smo si vranice odprli na nežno valujoči livadi (KUD France Prešeren, 2013), K območnim poročilom (Center za slovensko književnost, 2016) and Mleček, žbunje: grrobovi v njem (Center za slovensko književnost, 2022, Jenko Prize 2023), and is also active as the guitarist of the band nevemnevem and the man behind the experimental breakcore-glitchcore project SsmKOSK.
Lina Rica (1980) is an award-winning artist working in the field of conceptual, experimental and new media art. Her works are part of the collections at MGLC, Oficina Arara, Riko Fine Art Collection, Longest Night and the Critical Mass Portfolio. Since 2019 she has been active as part of the A/V ensemble Marta Fakuch, and since 2020, as part of the A/V trio Etceteral.
Liara T’soni (Farah Sara Kurnik, 2000) is a visual artist working in the field of graphic design and video. She experiments with the medium of digital collage, in the medium of speculative reality, and is also active in the fields of industrial design and new technologies.
Miha Šajina (1979) is a producer, DJ, keyboardist, composer and avid module collector. He has played in Intimn Frizurn, Moveknowledgement, Warhorse and Ewok. Since 2002 he has been working in the Zvviks collective, where he creates music for Koyaa animated films. He is intensively researching modular synthesis. Several A/V works he has co-authored have been awarded.
Aleš Hieng – Zergon (1984) is a DJ, electronic music producer and sound artist who is actively working in the field of AV performances and in the broader field of DIY electronics. His interests include producing clubbing music, as well as sonic and AV experiments. He is also a member of the modular-synth collective Clockwork Voltage.